Tag Archives: Reading2018

Yeah Yeah Yeah

If you’re looking for a comprehensive guide to pop music, from the 1950s to around 2010, Bob Stanley’s “Yeah Yeah Yeah” is it. It’s roughly chronological and covers everything from the introduction of vinyl (the “official” start of pop music) to downloads (the end).

Every page leaves you with a list of songs you want to listen to. The volume is such that you’ll never get around to finding all of them but I did end up listening to a bunch of stuff that I wouldn’t ordinarily have thought to. Ironically, by being published in 2014 it misses the mainstreaming of the very streaming services that allowed me to do that!

No genre is left uncovered and it’s all nicely pieced together, connecting the people and the styles. It’s enthusiastically, if not well, written and very thorough. You probably already know if you’ll like it.

The Establishment

The Establishment” by Owen Jones is another Brexit-inspired read, though it was actually written before the referendum and some of it has dated remarkably quickly because of that.

It reads like a long Guardian article. Or, maybe, as a collection of Guardian columns strung together, in the sense that some turns of phrase seem to repeat often. If they’d not been in one book it might have been less noticeable? And the politics are similarly left-leaning.

Overall it’s an easy read if you agree with the thrust of the argument that the West is controlled by the wealthy. It’s supported by copious notes but many are from newspapers rather then original research so I’m not sure how convincing they are.

To me the weakest bit was the “conclusions” section where suggestions are made for fixing things, but that’s probably because I wasn’t convinced they were the right ones. Of course, like any armchair pundit, however, I don’t have any better ones…

Solo

I don’t normally read “franchise” books. I’ve avoided Star Wars, Star Trek and Doctor Who spin-offs but thought I’d try “Solo” featuring James Bond, mostly as as it was written by William Boyd who is one of my favourite authors.

It was a quick read, some nice twists. It has more gruesome violence than you get in the movies, which surprised me. Fleming purists may argue that it’s not the Bond of the books, but nothing offended me.

Overall not one of Boyd’s more memorable books but enjoyable.